Archive for the 'Gallery' Category

Jennifer Aniston sits down with Allure to take a look at some popular TikTok trends. Watch as Jen falls in love with the nose vacuum, learns about hair floss, reminisces about all sorts of bangs, thin ’90s eyebrows, and much more.

 

 

JENNIFER ANISTON HAS SPENT MOST OF HER ADULT LIFE IN THE SPOTLIGHT, WITH ALL ITS GLARE. AT 53, SHE OPENS UP ABOUT HER PATH TO LEAVING REGRETS AND SOME DEEPLY PERSONAL PAIN BEHIND.

If we’re being literal, the hills above western Los Angeles are actually the only place where Jennifer Aniston is the girl next door. That’s what people called her for a long time. The girl next door, which is a ’90s euphemism that means she’s unintimidating, approachable. But here, along avenues of impermeable iron gates, among houses hidden behind hedges grown to make sure you know your place, the vibe is pretty intimidating. To live here, one assumes, you have to have achieved a certain kind of Olympian status, like having been among the most beloved figures in American pop culture for 30 years.

This is what I’m thinking when the gates to her house swing open and I enter onto a pea stone car park. Pruned trees, gurgling fountains, 500-foot-tall front doors. Then suddenly, there’s a lot of barking and Aniston’s familiar voice, somewhere inside, reprimanding her dogs. When she opens the door — ripped jeans, tank top, barefoot — Aniston looks like she could be the owner’s out-of-town friend crashing here for a few days.

She welcomes me into the house, which looks like a comfortable art gallery and smells like a box of new shoes transported in a Louis Vuitton steamer trunk full of gardenias. “Excuse my frazzledness,” she says, seeming pretty unfrazzled, as we walk into her kitchen. “I just had a whole thing happen at work.” She’s in the middle of filming the third season of The Morning Show. “I just [found out I] have a few pages to learn of a huge interview scene.”

“Our interview can be a dry run,” I propose.

“Yes, this will be my dry — exactly. That’s exactly right.” Aniston at her most Aniston. It’s that thing she does. She murmur repeats — part bumbling professor, part conspiratorial best friend.

Immediately, she’s welcoming: “Can I make you a shake? I’m having a shake.” I am not about to refuse a homemade shake from Jennifer Aniston. Sure. Great.

“I want to introduce you to my dogs.” She opens the door to where they’ve been relegated. “Clyde is amazing, but Chesterfield gets barky. You have to ignore him. Even if he licks your hand and you’re like, ‘Oh, there’s my in,’ he will jump and it seems scary.” I do as I’m told: aloof and indifferent. I could be a French waiter.

“Okay, I’m making us a shake. Here we go.” I lean against her kitchen island and watch as Aniston begins to assemble the ingredients. Back and forth to the refrigerator, in and out of cabinets, collecting little containers of powders and a thing of nuts and then ground-up some- things and there’s a banana and then shavings of something elses. Am I okay with chocolate-flavored things? “Yep, but I’m a vegetarian so just no bacon, please.”

“Ha! I’m not going to put the bacon in! I’ll leave out the bacon. I’ll leave out the bacon.” Murmur, repeat, perfect timing.“Let me blend this. Hold on.” She blends. Chesterfield — a big white husky? shepherd? lab mix? — starts barking. She pours two tall glasses of smoothie. “Whoa, I hope you like sweet things,” she says. “Cheers.”

We move to the living room — and step into two sides of Jennifer Aniston. There’s a wall of artwork and floor-to-ceiling windows. But there are also dog beds, a giant sofa with a slipcover, and a really casual vibe. She’s not a coaster person. Aniston sits on the floor and Chesterfield jumps on the couch next to me.

Earlier I was texting a journalist friend of mine. I told him I was interviewing Aniston and I asked him to give me smart things to say. “One thought is this,” he texted. “No one’s ever going to be famous the way she is. That kind of mass-fame phenomenon burning so bright for so long, it’s just not achievable today. She’s like a silent-film star among a generation of TikTok dipshits.”

I read her the text. “Whoa. Oh, that just gave me chills,” she says. “I’m a little choked up. I feel like it’s dying. There are no more movie stars. There’s no more glamour. Even the Oscar parties used to be so fun….”

There’s something that’s distracting me. Yes, I do have the feeling that whenever Jennifer Aniston fades into posterity (something that doesn’t seem imminent; she has two new movies coming out, and the third season of The Morning Show), the station of movie star will be diminished. But it’s not that. It’s her hair. Her hair is the second most famous thing in this house. You could say her hair was the second most famous thing on Friends. I can see the nuances, the parts of each strand that change to gold as she moves her head. It’s a little unsettling. Like seeing your own reflection in Tom Cruise’s aviators.

About a year ago, Aniston launched a hair-care line, LolaVie, with a simple and ambitious mission: “Create a product that is good for the environment, good for our hair, take out all the crappy chemicals, and have it perform,” says Aniston.

Then she says, “I hate social media.” This is unexpected. What do you mean? “I’m not good at it.” This seems…counterintuitive. As you may be aware, about three years ago, Aniston joined Instagram. She opened an account, posted a photo of the cast of Friends, and in the following hours, the platform rushed to accommodate so many thousands of Jennifer Aniston followers that it crashed. Is that what she means by not being good at it? Like, is it hard because you’re too popular? Like in a job interview when they ask you your biggest weakness and you say I guess I work too hard sometimes?

“It’s torture for me. The reason I went on Instagram was to launch this line,” she explains. “Then the pandemic hit and we didn’t launch. So I was just stuck with being on Instagram. It doesn’t come naturally.”

I ask her about this. How, to people like us, who came of age before InstaChat and SnapTube and FaceTik, social media can seem unnecessarily punitive, like checking in with the meanest girl from high school every 10 minutes to confirm you’re still a loser.

“I’m really happy that we got to experience growing up, being a teenager, being in our 20s without this social media aspect,” she says. “Look, the internet, great intentions, right? Connect people socially, social networking. It goes back to how young girls feel about themselves, compare and despair.

“I feel the best in who I am today, better than I ever did in my 20s or 30s even, or my mid-40s. We needed to stop saying bad shit to ourselves,” says Aniston, scolding her future self: “You’re going to be 65 one day and think, I looked fucking great at 53.” Something in her tone makes me think that this isn’t a typical “I’m proud of my wrinkles and gray hair” platitude. This goes deeper.

“I would say my late 30s, 40s, I’d gone through really hard shit, and if it wasn’t for going through that, I would’ve never become who I was meant to be,” she says. “That’s why I have such gratitude for all those shitty things. Otherwise, I would’ve been stuck being this person that was so fearful, so nervous, so unsure of who they were.” She finishes her smoothie and reaches out to Chesterfield. “And now, I don’t fucking care.”

Maybe I look confused. She explains.

“I was trying to get pregnant. It was a challenging road for me, the baby-making road,” says Aniston, of a period several years ago.

On the scale of dumb things to say, this is the moment when I really hit it out of the park. “I had no idea.”

“Yeah, nobody does,” she replies graciously. “All the years and years and years of speculation… It was really hard. I was going through IVF, drinking Chinese teas, you name it. I was throwing everything at it. I would’ve given anything if someone had said to me, ‘Freeze your eggs. Do yourself a favor.’ You just don’t think it. So here I am today. The ship has sailed.”

We sit quietly for a minute, maybe sad for all the ships that have ever sailed. I almost want to apologize to Aniston for being a journalist. This doesn’t feel like any of my business.

“I have zero regrets,” she says. “I actually feel a little relief now because there is no more, ‘Can I? Maybe. Maybe. Maybe.’ I don’t have to think about that anymore.”

Back then — and for years — there were headlines swirling through pop culture that Aniston wouldn’t have kids. That she wasn’t interested or she just wanted to be a star or whatever idea was selling that week.

Adding to the personal pain of what she went through was the “narrative that I was just selfish,” she says. “I just cared about my career. And God forbid a woman is successful and doesn’t have a child. And the reason my husband left me, why we broke up and ended our marriage, was because I wouldn’t give him a kid. It was absolute lies. I don’t have anything to hide at this point.”

I have flashes of every magazine rack, every airport newsstand. Those “Jen Has a Baby Bump!” or equivalent headlines were everywhere (including Allure). We all felt entitled to the cellular happenings inside her uterus. We consumed those headlines, then dropped them in the trash and got back to our lives. But she couldn’t.

“I got so frustrated. Hence that op-ed I wrote [for The Huffington Post in 2016, slamming the media for its obsession with her being pregnant and its treatment of women, generally]. I was like, ‘I’ve just got to write this because it’s so maddening and I’m not superhuman to the point where I can’t let it penetrate and hurt.’”

Chesterfield is back on the couch, trying to curl up on my leg.

“I think my mom’s divorce really screwed her up,” Aniston says when I ask her about growing up. “Back in that generation it wasn’t like, ‘Go to therapy, talk to somebody. Why don’t you start microdosing?’ You’re going through life and picking up your child with tears on your face and you don’t have any help.”

Chesterfield nudges deeper onto my lap. Aniston pulls him off. “Come here, baby,” she says. “I know you want to, but you just can’t lick people.” It’s one thing to be a dog person, but Aniston is next level.

“I forgave my mom,” she continues, getting back to her human family. “I forgave my father. I’ve forgiven my family.” (Aniston was estranged from her mother for years.)

Who among us hasn’t tried — successfully or not — to forgive our family? You in the back, put your hand down. You’re lying to yourself. Families are things to be forgiven.

“It’s important,” she says. “It’s toxic to have that resentment, that anger. I learned that by watching my mom never let go of it. I remember saying, ‘Thank you for showing me what never to be.’ So that’s what I mean about taking the darker things that happen in our lives, the not-so-happy moments, and trying to find places to honor them because of what they have given to us.”

One of the things her parents’ divorce gave her was motivation to leave. “My house was not a fun house to live in,” she says, about her family’s apartment in New York City. “I was thrilled to get out.”

After graduating from LaGuardia High School of Music & Art and Performing Arts in New York City, Aniston worked as a waitress at Jackson Hole diner on the Upper West Side, and at an ice cream place in Lincoln Center. (“I’d make a shake and if there was leftover…? I finished it. Why waste this? I was rounder then,” she says, arching her eyebrow.) Eventually, “I moved to California.” She arrived in Los Angeles “the summer of 1989, which was yesterday,” she says. “I walked into a party in Laurel Canyon. This girl says, ‘Come with us. We’re doing a circle.’ I was like, ‘What’s a circle?’ It was all women and they saged you before you went in. Then a talking stick, I’m sure with feathers on it. The women call in the four directions, and I’m like, ‘What the fuck is going on? Am I in a cult?’ Hours later, woman after woman, just speaking, sharing thoughts and fears, worries. How incredible women are for each other. That’s how I got into that world, which I guess would be called Woo Woo. It was very Woo Woo.”

The women of the Woo Woo circle remain her closest friends. She met the woman who would become her producing partner that night. All around Aniston’s house are framed photos of these women — hiking, traveling, smiling, sharing their lives, this close-knit coven of old friends. Students of Friends (and whatever you think of them, they are legion — just witness the cultural juggernaut that was the Friends reunion last year) will know that the show’s premise was about that time in life when friends are family. Aniston is a case of life imitating art.

“I remember in high school doing a Chekhov play,” she says. “It wasn’t funny, and I was making it funny. And my teacher said, ‘Why don’t you just be funny because you have it in you?’ And I was like, ‘How dare you? I’m a dramatic actress!’ Turns out, it was the thing that saved my life, comedy. It was a salve to make people laugh.”

“There are people who say that watching Friends has saved them during cancer diagnosis, or so many people with just so much gratitude for a little show,” she says, her eyes glassy with tears. “We really loved each other and we took care of each other. I don’t know why it still resonates; there are no iPhones. It’s just people talking to each other. Nobody talks to each other anymore.”

Coming out on the other side is what she calls “a little mosaic. It gets blown apart and then somehow gets put back together into this beautiful mosaic.”

I think of all the gossip and schadenfreude, all the hysterical tabloid exclamation points, the clickbait. I think of all the crap the world has thrown at Aniston — and I feel like she must have a really good therapist if she can find a “beautiful mosaic” anywhere in it. But maybe that’s the point. We all break. Then the benevolent forces of the universe sweep in and collect our broken parts, our flaws and jagged edges, and turn them into works of art. Maybe that’s why our 40s feel more powerful than our 20s: The universe needs time to assemble our mosaics.

“I didn’t want to partner with someone until some of that work was done. It wouldn’t be fair,” she says. “I don’t want to move into a house when there are no walls.”

“You felt like you had no walls?”

“It was terrible,” she says.

We walk outside. Aniston’s backyard is a small botanical garden with olive trees, a dusty path to the chicken coop, and a feeling of total privacy. Across the yard from the main house is a small cottage that’s about 90 percent windows. “Welcome to the Babe Cave,” she says. “This was Justin’s office.” (Aniston and her ex-husband Justin Theroux split up in 2017.) “You can imagine he likes things black and dark.” After he moved out, “I lightened it up, stripped it all. He came over [the other day] and was like, ‘What the fuck did you do?’ I said, ‘I brought the light back in, buddy.’”

The view, the furniture, the palpable calm — you could write the story of your life in a room like this.

“I’m going to do that one day,” she says. “I’m going to stop saying, ‘I can’t write.’” We walk back out to the garden. “I’ve spent so many years protecting my story about IVF. I’m so protective of these parts because I feel like there’s so little that I get to keep to myself. The [world] creates narratives that aren’t true, so I might as well tell the truth. I feel like I’m coming out of hibernation. I don’t have anything to hide.”

“If you were writing the story of your life,” I ask, “what would you call this chapter?”

“What would you call this chapter?” Murmur, repeats. We look out at Los Angeles, blurry in the late afternoon smog.

She smiles. She’s got it. “Phoenix Rising.”

Finally! Jennifer & Reese have been spotted filming scenes for the upcoming Third Season of The Morning Show in New York. Images have been added, enjoy!

 

Jennifer has been spotted on set of The Morning Show Season 3 in Coney Island with Jon Hamm, I’ve added the photos to our gallery- enjoy!

 

Jennifer appeared in the Norman Lear: 100 Years Of Music & Laughter Special. I’ve added Stills of her during it! Enjoy

 

Jennifer attended an Emmy Event Screening for all things The Morning Show Season 2. I have added images to our gallery, enjoy!

 

I have added Screencaptures from Jennifer’s Actors on Actors Segment with Sebastian Stan, big thank you to Manon who donated the caps to the site!

 

In their Actors on Actors conversation Jennifer Aniston (‘The Morning Show’) and Sebastian Stan (‘Pam & Tommy’) discuss what it’s like talking to a prosthetic penis, how best to approach playing a real life person like Tommy Lee and reuniting the cast of ‘Friends.’

Variety Actors on Actors presented by Apple TV+.

Of course Jennifer Aniston and Sebastian Stan are bound to talk about the 1990s. Stan is receiving Emmy buzz for donning tattoos and losing weight to play Tommy Lee, the Mötley Crüe drummer, in Hulu’s limited series “Pam & Tommy” — which is set in the decade that made Aniston a star on “Friends.” Actually, as Aniston thinks about it, she could see Stan chilling on the famous coffeehouse couch on her former sitcom. But they don’t agree about one thing: Is he a Joey or a Chandler?

The time travel then moves to the early days of COVID, to discuss Aniston’s transformative turn as anchor Alex Levy on Season 2 of “The Morning Show.” In the latest arc on the Apple TV+ drama, her character jets to Italy to confront her disgraced colleague and best friend Mitch Kessler (Steve Carell) — but that wasn’t always the show’s plan. By the time they finish exchanging stories on Variety‘s “Actors on Actors” presented by Apple TV+, Aniston and Stan are so comfortable, they’ve cast themselves in a dream project together.

SEBASTIAN STAN: I’m such a huge fan of yours. I have been for years, so this is very special. Where I’d love to start is with doing a show during COVID, and incorporating COVID as subject matter. How was that approaching it from the perspective of Alex?
JENNIFER ANISTON: There was obviously no COVID when we started shooting, although there were rumblings of it. It was, like, January. We had shot for about a month. All of a sudden, companies were closing and working from home. We were all saying, “What about the actors? We don’t have the luxury of social distancing. We’re in scenes together.”

STAN: Yeah.

ANISTON: And they’re like, “Screw the actors.” So we shut down. We took that time to realize that there was something missing in Season 2; it had to be completely reimagined. The same thing happened with Season 1, where we had about seven shows outlined, and the #MeToo movement happened. I feel like our show is kind of in this place where we actually deliver the news literally, as in real time.

STAN: I found in the pandemic watching the news was heartbreaking and exhausting. And sometimes it made me paranoid. Did you find that you ended up watching more news as a result?

ANISTON: Actually, the opposite. I watched more news before, because I loved morning shows. But when we started shooting, I stopped watching. It was too much. You shot “Pam & Tommy” during the pandemic as well.

STAN: We did. We started around this time last year, so the vaccines were just coming out. Everybody felt safer or a little more relief. But it was just weird because it was the ’90s every day for 12 hours.

ANISTON: Which, by the way, feels like yesterday.

STAN: I know.

ANISTON: I have about a thousand things to ask you about “Pam & Tommy.” Can I just ask one really blatant one, get it out of the way?

STAN: Of course.

ANISTON: So you have a scene where you’re talking to your penis?

STAN: Yes. We talk.

ANISTON: How do you prepare for that? How does it read to you on the page?

STAN: The train of thought starts to go into panic mode. It was a tricky scene to shoot, because we didn’t know if it was really going to work — if it was going to be too much or not.

ANISTON: Did you shoot it kind of two ways?

STAN: No. There were components, manual and prosthetics and things, and people with wires sort of plugging things into sockets.

ANISTON: That’s crazy.

STAN: Well, yeah. Look, we have the benefits of CGI. But we went old school for it, which was an interesting experience.

ANISTON: Very bold. Very brave.

STAN: His penis is a character in the book that he wrote. So the writers were tipping their hat off to that, and trying to find a creative way of how this guy would confess his love for this woman.

ANISTON: How much did you study Tommy and Pam? Were you familiar with them in the ’90s?

STAN: I’m from Europe originally.

ANISTON: From?

STAN: Romania. And then I lived in Vienna for a while. We moved to New York in ’95. I remember “Baywatch” more than anything. Even in Europe, we used to watch that religiously. You know, communism or not, you got “Baywatch.” But I didn’t really know what happened. That’s what was surprising about doing the show — how many people really didn’t know that the tape was stolen, or they had nothing to do with it.

ANISTON: And it was right at the time when the internet really shaped a new culture about people becoming famous. This thing of people becoming famous for basically doing nothing. I mean — Paris Hilton, Monica Lewinsky, all those.

STAN: Yeah. When you look back at the ’90s, you do see how many things have happened in that decade. Even the O.J. Simpson thing was actually the beginning of 24-hour news.

ANISTON: I always say I feel lucky that we got a little taste of the industry before it became what it is today, which is just different — more streaming services, more people. You’re famous from TikTok. You’re famous from YouTube. You’re famous from Instagram. It’s sort of almost like it’s diluting our actor’s job.

STAN: That brings me to something I’m curious to ask you about “The Morning Show.” Did you find anything different with it being a streaming service? Or how did you approach the dialogue piece of this?

ANISTON: Well, “Friends” was — half-hour was so easy compared … I mean, you had an audience.

STAN: That sounds like the most terrifying thing ever.

ANISTON: And by the way, every actor who was a film actor who came onto our show, they were terrified. It was like, “Who are these people laughing at what I’m saying?” I think “The Morning Show” feels like you’re shooting a film, although you’re covering much more real estate a day. The dialogue for me, I would take every Sunday, and I would hammer the whole week out with my acting coach. We would spend three hours, sometimes four, just going over every scene so that I became comfortable. I’m speaking like someone who is way smarter than myself.

STAN: Did you watch anyone in specific?

ANISTON: My dream human is Diane Sawyer. I had a wonderful dinner at her house right before we started. And the stories were endless and fascinating. And Gayle King was great. Chris Cuomo was great. Hoda. They were excited too, because it is such a world behind the scenes of what goes on.

STAN: I’m always just amazed that their day starts at 3 in the morning.

ANISTON: It’s a very strange nocturnal existence. There were nights where Diane said she wanted to live her life with her husband and go to the theater, and she just would stay awake. And then, recover on the weekends. She said she couldn’t make the coffee at home because her husband would smell it and wake up — so she would sneak out of the house, run to work and make her coffee. Very considerate of her.

STAN: In terms of Alex and Mitch’s relationship, did you guys always know at the end of Season 1 where it was going to go? And some of those twists and turns, particularly with Italy and so on?

ANISTON: No. We had to reimagine. After we went on summer break, [showrunner] Kerry Ehrin would think about Season 2 and gave us the little bullet points. And I was supposed to start in rehab, like for mental health. And we always knew Mitch was going to die. He went to do coverage on a war. He blew up in a building or whatever. It was just like, “This is so violent.” But then this played out beautifully with him being sent to exile in Italy to live in his shame. Have you always wanted to be an actor?

STAN: I guess I was like really good at impressions or something. My mom used to bring me out when we had people over.

ANISTON: And your first big break was “Gossip Girl”?

STAN: “Law & Order.” Jerry Orbach.

ANISTON: I went to high school with his son. Are you a good auditioner?

STAN: I don’t know. I didn’t mind it so much.

ANISTON: That’s good. I was terrified of it. I would walk into that room just shaking. It’s a shock I ever got hired. Let’s be clear. My first job was a Bob’s Big Boy commercial.

STAN: Really?

ANISTON: I couldn’t get hired for like two years because I was just my own worst enemy walking into a room. You would have been a great cast member on “Friends.” You would have been a Joey.

STAN: There are so many times where I’ve gone through a lot of lonely nights with “Friends,” I will tell you.

ANISTON: It’s a friend to have in the room sometimes.

STAN: And my friends would always go around and be like, “Who are you most like?” I always came closest to Chandler, because I get very sort of neurotic. And I just used to die laughing. Coming back to Rachel for the “Friends” reunion, I can’t even imagine how surreal that experience must have been. How did it feel, seeing everybody? Is it cathartic? Or is it weirdly the same goose bumps come back? It’s so familiar.

ANISTON: It was all of the above, honestly. I don’t know we expected for it to sucker punch us as hard as it did in the emotional gut. We just had the idea this is going to be so fun — we’re going back to the sets exactly the way they were. And literally, every single nook on a shelf was the same. It was so creepy. But each and every one of us, we walked in, it was just like, “Oh!”.

STAN: Yeah.

ANISTON: Time travel. It was ’04 when it ended. And we were different. We were so little. Our lives were ahead of us. And so much has changed. We kind of had rose-colored glasses going into it. And then, it was like, “This is really a lot heavier than I thought.” But I wouldn’t change a lick of it. Every time we all get together, it’s just like no time has passed. We basically grew up together, and taught each other a lot. We’re each other’s fall guy because the world was happening. We were exploding, and that kind of notoriety was sudden. And we were in these four walls doing the show, and this insanity is happening. And thank God we had each other, because we really couldn’t talk about it outside. It was before social media, so we still had some sanity.

STAN: I’m thinking if you had social media when “Friends” was happening, it’s almost like I’m sure the network would have said, “Hey, can we get a TikTok video of you guys?” And so much of that was preserved for the screen. And that’s why I sometimes wonder: Are we without some of that mystery?

ANISTON: I get very nostalgic about the past. I also find it interesting that people still love it today, because what are they relating to? You look over at a table of four people having a meal. And there’s usually three people on a phone, just scrolling mindlessly.

STAN: And you guys are on the couch and reading the paper and talking over coffee.

ANISTON: I have a really weird question. This has nothing to do with anything. You know how there’s this new thing where everyone says, “It’s tech neck,” because you’re looking down on your phone? Didn’t people do the same thing when they read the newspaper and books? So why is tech neck a new thing?

STAN: I —

ANISTON: I don’t know. Just thought I’d throw it out there. By the way, working on green screen, how do you feel about the Marvel movies? I mean, that’s got to be tedious, right?

STAN: I feel like it’s more opportunities to get distracted. You’re looking over there and it’s a planet, and there’s a cliff and all these people are coming — and you’re just staring at a wall. It’s bizarre. I’d love to be able to have things to interact off.

ANISTON: An actor, an actual person.

STAN: And not a tennis ball. But then, it also just makes you use your imagination in a different way. I never discriminate between any type of genre.

ANISTON: Do you have a favorite?

STAN: If I could just live in “Notting Hill” the movie forever, I would.

ANISTON: Is that a romcom? Why do they have such a bad rap these days, because wouldn’t that be fun to do one?

STAN: It would be.

ANISTON: Wanna do it?

STAN: Do you wanna?

ANISTON: I do.

STAN: Do one in a second with you.

ANISTON: Shooting in New York City?

STAN: Yeah, yeah. That sounds great. They could probably write that very quickly.

ANISTON: Great. We’re gonna do a rom-com. So exciting. We’re bringing them back

Jennifer appeared on Ellen’s finale show, I’ve added stills and caps from her episode, enjoy!

Jennifer Aniston was the very first guest on Ellen’s first show, and it came full circle as she returned as the first guest on Ellen’s last show. She shared how she dealt with the end of “Friends'” 10-season run by getting a divorce and going to therapy. The Emmy-winning actress also reminisced about her past appearances and gave Ellen a parting gift.

Today is our special lady’s birthday celebrating her 53rd year on this earth! 53? I refuse to believe it as Jen is an ageless godess. 😍

To Celebrate her birthday I have added a bunch of Outtakes from Previous shoots from the following Instyle Magazine (2019) and alongside a never before seen Photoshoot for Aveeno,2013!

I’d also like to thank my amazing friend Sparrow for her amazing Birthday Graphic she made for this post to celebrate Jen’s birthday for me! And the amazing Watermark tag she made for the Outtakes, thankyou so much!😍❤️ Be sure to visit her website on the incredible Kat Dennings.

Be sure to check out this incredible project designed by Nicole who is an amazing artist and Jen fan! she designed a fan magazine in the style of Jen’s favorite NewYorker Magazine and it is really incredible!😍

Be sure to also check out Court’s amazing project for Jen’s birthday as well with Fansitons around the world!❤️