
Archive for the 'Gallery' Category
An official trailer has been released for Murder Mystery 2 airing on Netflix March 31! Screencaps have been added of Jennifer in the trailer!




Jennifer Aniston sits down with Allure to take a look at some popular TikTok trends. Watch as Jen falls in love with the nose vacuum, learns about hair floss, reminisces about all sorts of bangs, thin ’90s eyebrows, and much more.












Magazines & Photoshoots > Photoshoots > 2022 > Session 003: Allure
JENNIFER ANISTON HAS SPENT MOST OF HER ADULT LIFE IN THE SPOTLIGHT, WITH ALL ITS GLARE. AT 53, SHE OPENS UP ABOUT HER PATH TO LEAVING REGRETS AND SOME DEEPLY PERSONAL PAIN BEHIND.
If weâre being literal, the hills above western Los Angeles are actually the only place where Jennifer Aniston is the girl next door. Thatâs what people called her for a long time. The girl next door, which is a â90s euphemism that means sheâs unintimidating, approachable. But here, along avenues of impermeable iron gates, among houses hidden behind hedges grown to make sure you know your place, the vibe is pretty intimidating. To live here, one assumes, you have to have achieved a certain kind of Olympian status, like having been among the most beloved figures in American pop culture for 30 years.
This is what Iâm thinking when the gates to her house swing open and I enter onto a pea stone car park. Pruned trees, gurgling fountains, 500-foot-tall front doors. Then suddenly, thereâs a lot of barking and Anistonâs familiar voice, somewhere inside, reprimanding her dogs. When she opens the door â ripped jeans, tank top, barefoot â Aniston looks like she could be the ownerâs out-of-town friend crashing here for a few days.
She welcomes me into the house, which looks like a comfortable art gallery and smells like a box of new shoes transported in a Louis Vuitton steamer trunk full of gardenias. âExcuse my frazzledness,â she says, seeming pretty unfrazzled, as we walk into her kitchen. âI just had a whole thing happen at work.â Sheâs in the middle of filming the third season of The Morning Show. âI just [found out I] have a few pages to learn of a huge interview scene.â
âOur interview can be a dry run,â I propose.
âYes, this will be my dry â exactly. Thatâs exactly right.â Aniston at her most Aniston. Itâs that thing she does. She murmur repeats â part bumbling professor, part conspiratorial best friend.
Immediately, sheâs welcoming: âCan I make you a shake? Iâm having a shake.â I am not about to refuse a homemade shake from Jennifer Aniston. Sure. Great.
âI want to introduce you to my dogs.â She opens the door to where theyâve been relegated. âClyde is amazing, but Chesterfield gets barky. You have to ignore him. Even if he licks your hand and youâre like, âOh, thereâs my in,â he will jump and it seems scary.â I do as Iâm told: aloof and indifferent. I could be a French waiter.
âOkay, Iâm making us a shake. Here we go.â I lean against her kitchen island and watch as Aniston begins to assemble the ingredients. Back and forth to the refrigerator, in and out of cabinets, collecting little containers of powders and a thing of nuts and then ground-up some- things and thereâs a banana and then shavings of something elses. Am I okay with chocolate-flavored things? âYep, but Iâm a vegetarian so just no bacon, please.â
âHa! Iâm not going to put the bacon in! Iâll leave out the bacon. Iâll leave out the bacon.â Murmur, repeat, perfect timing.âLet me blend this. Hold on.â She blends. Chesterfield â a big white husky? shepherd? lab mix? â starts barking. She pours two tall glasses of smoothie. âWhoa, I hope you like sweet things,â she says. âCheers.â
We move to the living room â and step into two sides of Jennifer Aniston. Thereâs a wall of artwork and floor-to-ceiling windows. But there are also dog beds, a giant sofa with a slipcover, and a really casual vibe. Sheâs not a coaster person. Aniston sits on the floor and Chesterfield jumps on the couch next to me.
Earlier I was texting a journalist friend of mine. I told him I was interviewing Aniston and I asked him to give me smart things to say. âOne thought is this,â he texted. âNo oneâs ever going to be famous the way she is. That kind of mass-fame phenomenon burning so bright for so long, itâs just not achievable today. Sheâs like a silent-film star among a generation of TikTok dipshits.â
I read her the text. âWhoa. Oh, that just gave me chills,â she says. âIâm a little choked up. I feel like itâs dying. There are no more movie stars. Thereâs no more glamour. Even the Oscar parties used to be so fun….â
Thereâs something thatâs distracting me. Yes, I do have the feeling that whenever Jennifer Aniston fades into posterity (something that doesnât seem imminent; she has two new movies coming out, and the third season of The Morning Show), the station of movie star will be diminished. But itâs not that. Itâs her hair. Her hair is the second most famous thing in this house. You could say her hair was the second most famous thing on Friends. I can see the nuances, the parts of each strand that change to gold as she moves her head. Itâs a little unsettling. Like seeing your own reflection in Tom Cruiseâs aviators.
About a year ago, Aniston launched a hair-care line, LolaVie, with a simple and ambitious mission: âCreate a product that is good for the environment, good for our hair, take out all the crappy chemicals, and have it perform,â says Aniston.
Then she says, âI hate social media.â This is unexpected. What do you mean? âIâm not good at it.â This seems…counterintuitive. As you may be aware, about three years ago, Aniston joined Instagram. She opened an account, posted a photo of the cast of Friends, and in the following hours, the platform rushed to accommodate so many thousands of Jennifer Aniston followers that it crashed. Is that what she means by not being good at it? Like, is it hard because youâre too popular? Like in a job interview when they ask you your biggest weakness and you say I guess I work too hard sometimes?
âItâs torture for me. The reason I went on Instagram was to launch this line,â she explains. âThen the pandemic hit and we didnât launch. So I was just stuck with being on Instagram. It doesnât come naturally.â
I ask her about this. How, to people like us, who came of age before InstaChat and SnapTube and FaceTik, social media can seem unnecessarily punitive, like checking in with the meanest girl from high school every 10 minutes to confirm youâre still a loser.
âIâm really happy that we got to experience growing up, being a teenager, being in our 20s without this social media aspect,â she says. âLook, the internet, great intentions, right? Connect people socially, social networking. It goes back to how young girls feel about themselves, compare and despair.
âI feel the best in who I am today, better than I ever did in my 20s or 30s even, or my mid-40s. We needed to stop saying bad shit to ourselves,â says Aniston, scolding her future self: âYouâre going to be 65 one day and think, I looked fucking great at 53.â Something in her tone makes me think that this isnât a typical âIâm proud of my wrinkles and gray hairâ platitude. This goes deeper.
âI would say my late 30s, 40s, Iâd gone through really hard shit, and if it wasnât for going through that, I wouldâve never become who I was meant to be,â she says. âThatâs why I have such gratitude for all those shitty things. Otherwise, I wouldâve been stuck being this person that was so fearful, so nervous, so unsure of who they were.â She finishes her smoothie and reaches out to Chesterfield. âAnd now, I donât fucking care.â
Maybe I look confused. She explains.
âI was trying to get pregnant. It was a challenging road for me, the baby-making road,â says Aniston, of a period several years ago.
On the scale of dumb things to say, this is the moment when I really hit it out of the park. âI had no idea.â
âYeah, nobody does,â she replies graciously. âAll the years and years and years of speculation… It was really hard. I was going through IVF, drinking Chinese teas, you name it. I was throwing everything at it. I wouldâve given anything if someone had said to me, âFreeze your eggs. Do yourself a favor.â You just donât think it. So here I am today. The ship has sailed.â
We sit quietly for a minute, maybe sad for all the ships that have ever sailed. I almost want to apologize to Aniston for being a journalist. This doesnât feel like any of my business.
âI have zero regrets,â she says. âI actually feel a little relief now because there is no more, âCan I? Maybe. Maybe. Maybe.â I donât have to think about that anymore.â
Back then â and for years â there were headlines swirling through pop culture that Aniston wouldnât have kids. That she wasnât interested or she just wanted to be a star or whatever idea was selling that week.
Adding to the personal pain of what she went through was the ânarrative that I was just selfish,â she says. âI just cared about my career. And God forbid a woman is successful and doesnât have a child. And the reason my husband left me, why we broke up and ended our marriage, was because I wouldnât give him a kid. It was absolute lies. I donât have anything to hide at this point.â
I have flashes of every magazine rack, every airport newsstand. Those âJen Has a Baby Bump!â or equivalent headlines were everywhere (including Allure). We all felt entitled to the cellular happenings inside her uterus. We consumed those headlines, then dropped them in the trash and got back to our lives. But she couldnât.
âI got so frustrated. Hence that op-ed I wrote [for The Huffington Post in 2016, slamming the media for its obsession with her being pregnant and its treatment of women, generally]. I was like, âIâve just got to write this because itâs so maddening and Iâm not superhuman to the point where I canât let it penetrate and hurt.ââ
Chesterfield is back on the couch, trying to curl up on my leg.
âI think my momâs divorce really screwed her up,â Aniston says when I ask her about growing up. âBack in that generation it wasnât like, âGo to therapy, talk to somebody. Why donât you start microdosing?â Youâre going through life and picking up your child with tears on your face and you donât have any help.â
Chesterfield nudges deeper onto my lap. Aniston pulls him off. âCome here, baby,â she says. âI know you want to, but you just canât lick people.â Itâs one thing to be a dog person, but Aniston is next level.
âI forgave my mom,â she continues, getting back to her human family. âI forgave my father. Iâve forgiven my family.â (Aniston was estranged from her mother for years.)
Who among us hasnât tried â successfully or not â to forgive our family? You in the back, put your hand down. Youâre lying to yourself. Families are things to be forgiven.
âItâs important,â she says. âItâs toxic to have that resentment, that anger. I learned that by watching my mom never let go of it. I remember saying, âThank you for showing me what never to be.â So thatâs what I mean about taking the darker things that happen in our lives, the not-so-happy moments, and trying to find places to honor them because of what they have given to us.â
One of the things her parentsâ divorce gave her was motivation to leave. âMy house was not a fun house to live in,â she says, about her familyâs apartment in New York City. âI was thrilled to get out.â
After graduating from LaGuardia High School of Music & Art and Performing Arts in New York City, Aniston worked as a waitress at Jackson Hole diner on the Upper West Side, and at an ice cream place in Lincoln Center. (âIâd make a shake and if there was leftover…? I finished it. Why waste this? I was rounder then,â she says, arching her eyebrow.) Eventually, âI moved to California.â She arrived in Los Angeles âthe summer of 1989, which was yesterday,â she says. âI walked into a party in Laurel Canyon. This girl says, âCome with us. Weâre doing a circle.â I was like, âWhatâs a circle?â It was all women and they saged you before you went in. Then a talking stick, Iâm sure with feathers on it. The women call in the four directions, and Iâm like, âWhat the fuck is going on? Am I in a cult?â Hours later, woman after woman, just speaking, sharing thoughts and fears, worries. How incredible women are for each other. Thatâs how I got into that world, which I guess would be called Woo Woo. It was very Woo Woo.â
The women of the Woo Woo circle remain her closest friends. She met the woman who would become her producing partner that night. All around Anistonâs house are framed photos of these women â hiking, traveling, smiling, sharing their lives, this close-knit coven of old friends. Students of Friends (and whatever you think of them, they are legion â just witness the cultural juggernaut that was the Friends reunion last year) will know that the showâs premise was about that time in life when friends are family. Aniston is a case of life imitating art.
âI remember in high school doing a Chekhov play,â she says. âIt wasnât funny, and I was making it funny. And my teacher said, âWhy donât you just be funny because you have it in you?â And I was like, âHow dare you? Iâm a dramatic actress!â Turns out, it was the thing that saved my life, comedy. It was a salve to make people laugh.â
âThere are people who say that watching Friends has saved them during cancer diagnosis, or so many people with just so much gratitude for a little show,â she says, her eyes glassy with tears. âWe really loved each other and we took care of each other. I donât know why it still resonates; there are no iPhones. Itâs just people talking to each other. Nobody talks to each other anymore.â
It would be wonderful to come home and fall into somebodyâs arms and say, âThat was a tough day.ââ
Well, weâve come this far. âWould you ever get married again?â
âNever say never, but I donât have any interest,â she says. âIâd love a relationship. Who knows? There are moments I want to just crawl up in a ball and say, âI need support.â It would be wonderful to come home and fall into somebodyâs arms and say, âThat was a tough day.ââ
Smoothies long gone, Aniston gives me a tour of the house. Imagine soaring views and spiritual shrines tucked into corners. We walk into the dining room with its majestic table, heavy art books, charcoal walls. A few paint swatches are affixed to the wall. All in identical shades of charcoal. I donât get it.
âYou canât see the difference?â she says. Youâd think I just told her how much I love the emperorâs splendid new clothing. âReally? You canât see how blue this one is?â This is paint swatch gaslighting. Paintswatching.
âI would love to be an interior designer. I love walking into a house thatâs being torn apart and finding ways to put it back together,â she tells me, escorting us into her own personal metaphor.
âI feel like Iâm coming through a period that was challenging and coming back into the light,â she says. âI have had to do personal work that was long overdue, parts of me that hadnât healed from the time I was a little kid. Iâm a very independent person. Intimacy has always been a little here,â she extends her hand an armâs length in front of her. âIâve realized you will always be working on stuff. I am a constant work in progress. Thank God. How uninteresting would life be if we all achieved enlightenment and that was it?â
Coming out on the other side is what she calls âa little mosaic. It gets blown apart and then somehow gets put back together into this beautiful mosaic.â
I think of all the gossip and schadenfreude, all the hysterical tabloid exclamation points, the clickbait. I think of all the crap the world has thrown at Aniston â and I feel like she must have a really good therapist if she can find a âbeautiful mosaicâ anywhere in it. But maybe thatâs the point. We all break. Then the benevolent forces of the universe sweep in and collect our broken parts, our flaws and jagged edges, and turn them into works of art. Maybe thatâs why our 40s feel more powerful than our 20s: The universe needs time to assemble our mosaics.
âI didnât want to partner with someone until some of that work was done. It wouldnât be fair,â she says. âI donât want to move into a house when there are no walls.â
âYou felt like you had no walls?â
âIt was terrible,â she says.
We walk outside. Anistonâs backyard is a small botanical garden with olive trees, a dusty path to the chicken coop, and a feeling of total privacy. Across the yard from the main house is a small cottage thatâs about 90 percent windows. âWelcome to the Babe Cave,â she says. âThis was Justinâs office.â (Aniston and her ex-husband Justin Theroux split up in 2017.) âYou can imagine he likes things black and dark.â After he moved out, âI lightened it up, stripped it all. He came over [the other day] and was like, âWhat the fuck did you do?â I said, âI brought the light back in, buddy.ââ
The view, the furniture, the palpable calm â you could write the story of your life in a room like this.
âIâm going to do that one day,â she says. âIâm going to stop saying, âI canât write.ââ We walk back out to the garden. âIâve spent so many years protecting my story about IVF. Iâm so protective of these parts because I feel like thereâs so little that I get to keep to myself. The [world] creates narratives that arenât true, so I might as well tell the truth. I feel like Iâm coming out of hibernation. I donât have anything to hide.â
âIf you were writing the story of your life,â I ask, âwhat would you call this chapter?â
âWhat would you call this chapter?â Murmur, repeats. We look out at Los Angeles, blurry in the late afternoon smog.
She smiles. Sheâs got it. âPhoenix Rising.â
Finally! Jennifer & Reese have been spotted filming scenes for the upcoming Third Season of The Morning Show in New York. Images have been added, enjoy!




Jennifer has been spotted on set of The Morning Show Season 3 in Coney Island with Jon Hamm, I’ve added the photos to our gallery- enjoy!








Jennifer appeared in the Norman Lear: 100 Years Of Music & Laughter Special. I’ve added Stills of her during it! Enjoy




Jennifer attended an Emmy Event Screening for all things The Morning Show Season 2. I have added images to our gallery, enjoy!








I have added Screencaptures from Jennifer’s Actors on Actors Segment with Sebastian Stan, big thank you to Manon who donated the caps to the site!




 Screencaptures > Interviews > 2022 > Variety Actors On Actors
In their Actors on Actors conversation Jennifer Aniston (‘The Morning Show’) and Sebastian Stan (‘Pam & Tommy’) discuss what it’s like talking to a prosthetic penis, how best to approach playing a real life person like Tommy Lee and reuniting the cast of ‘Friends.’
Variety Actors on Actors presented by Apple TV+.




Of course Jennifer Aniston and Sebastian Stan are bound to talk about the 1990s. Stan is receiving Emmy buzz for donning tattoos and losing weight to play Tommy Lee, the MĂśtley CrĂźe drummer, in Huluâs limited series âPam & Tommyâ â which is set in the decade that made Aniston a star on âFriends.â Actually, as Aniston thinks about it, she could see Stan chilling on the famous coffeehouse couch on her former sitcom. But they donât agree about one thing: Is he a Joey or a Chandler?
The time travel then moves to the early days of COVID, to discuss Anistonâs transformative turn as anchor Alex Levy on Season 2 of âThe Morning Show.â In the latest arc on the Apple TV+ drama, her character jets to Italy to confront her disgraced colleague and best friend Mitch Kessler (Steve Carell) â but that wasnât always the showâs plan. By the time they finish exchanging stories on Varietyâs âActors on Actorsâ presented by Apple TV+, Aniston and Stan are so comfortable, theyâve cast themselves in a dream project together.
SEBASTIAN STAN: Iâm such a huge fan of yours. I have been for years, so this is very special. Where Iâd love to start is with doing a show during COVID, and incorporating COVID as subject matter. How was that approaching it from the perspective of Alex?
JENNIFER ANISTON: There was obviously no COVID when we started shooting, although there were rumblings of it. It was, like, January. We had shot for about a month. All of a sudden, companies were closing and working from home. We were all saying, âWhat about the actors? We donât have the luxury of social distancing. Weâre in scenes together.â
STAN: Yeah.
ANISTON: And theyâre like, âScrew the actors.â So we shut down. We took that time to realize that there was something missing in Season 2; it had to be completely reimagined. The same thing happened with Season 1, where we had about seven shows outlined, and the #MeToo movement happened. I feel like our show is kind of in this place where we actually deliver the news literally, as in real time.
STAN: I found in the pandemic watching the news was heartbreaking and exhausting. And sometimes it made me paranoid. Did you find that you ended up watching more news as a result?
ANISTON: Actually, the opposite. I watched more news before, because I loved morning shows. But when we started shooting, I stopped watching. It was too much. You shot âPam & Tommyâ during the pandemic as well.
STAN: We did. We started around this time last year, so the vaccines were just coming out. Everybody felt safer or a little more relief. But it was just weird because it was the â90s every day for 12 hours.
ANISTON: Which, by the way, feels like yesterday.
STAN: I know.
ANISTON: I have about a thousand things to ask you about âPam & Tommy.â Can I just ask one really blatant one, get it out of the way?
STAN: Of course.
ANISTON: So you have a scene where youâre talking to your penis?
STAN: Yes. We talk.
ANISTON: How do you prepare for that? How does it read to you on the page?
STAN: The train of thought starts to go into panic mode. It was a tricky scene to shoot, because we didnât know if it was really going to work â if it was going to be too much or not.
ANISTON: Did you shoot it kind of two ways?
STAN: No. There were components, manual and prosthetics and things, and people with wires sort of plugging things into sockets.
ANISTON: Thatâs crazy.
STAN: Well, yeah. Look, we have the benefits of CGI. But we went old school for it, which was an interesting experience.
ANISTON: Very bold. Very brave.
STAN: His penis is a character in the book that he wrote. So the writers were tipping their hat off to that, and trying to find a creative way of how this guy would confess his love for this woman.
ANISTON: How much did you study Tommy and Pam? Were you familiar with them in the â90s?
STAN: Iâm from Europe originally.
ANISTON: From?
STAN: Romania. And then I lived in Vienna for a while. We moved to New York in â95. I remember âBaywatchâ more than anything. Even in Europe, we used to watch that religiously. You know, communism or not, you got âBaywatch.â But I didnât really know what happened. Thatâs what was surprising about doing the show â how many people really didnât know that the tape was stolen, or they had nothing to do with it.
ANISTON: And it was right at the time when the internet really shaped a new culture about people becoming famous. This thing of people becoming famous for basically doing nothing. I mean â Paris Hilton, Monica Lewinsky, all those.
STAN: Yeah. When you look back at the â90s, you do see how many things have happened in that decade. Even the O.J. Simpson thing was actually the beginning of 24-hour news.
ANISTON: I always say I feel lucky that we got a little taste of the industry before it became what it is today, which is just different â more streaming services, more people. Youâre famous from TikTok. Youâre famous from YouTube. Youâre famous from Instagram. Itâs sort of almost like itâs diluting our actorâs job.
STAN: That brings me to something Iâm curious to ask you about âThe Morning Show.â Did you find anything different with it being a streaming service? Or how did you approach the dialogue piece of this?
ANISTON: Well, âFriendsâ was â half-hour was so easy compared ⌠I mean, you had an audience.
STAN: That sounds like the most terrifying thing ever.
ANISTON: And by the way, every actor who was a film actor who came onto our show, they were terrified. It was like, âWho are these people laughing at what Iâm saying?â I think âThe Morning Showâ feels like youâre shooting a film, although youâre covering much more real estate a day. The dialogue for me, I would take every Sunday, and I would hammer the whole week out with my acting coach. We would spend three hours, sometimes four, just going over every scene so that I became comfortable. Iâm speaking like someone who is way smarter than myself.
STAN: Did you watch anyone in specific?
ANISTON: My dream human is Diane Sawyer. I had a wonderful dinner at her house right before we started. And the stories were endless and fascinating. And Gayle King was great. Chris Cuomo was great. Hoda. They were excited too, because it is such a world behind the scenes of what goes on.
STAN: Iâm always just amazed that their day starts at 3 in the morning.
ANISTON: Itâs a very strange nocturnal existence. There were nights where Diane said she wanted to live her life with her husband and go to the theater, and she just would stay awake. And then, recover on the weekends. She said she couldnât make the coffee at home because her husband would smell it and wake up â so she would sneak out of the house, run to work and make her coffee. Very considerate of her.
STAN: In terms of Alex and Mitchâs relationship, did you guys always know at the end of Season 1 where it was going to go? And some of those twists and turns, particularly with Italy and so on?
ANISTON: No. We had to reimagine. After we went on summer break, [showrunner] Kerry Ehrin would think about Season 2 and gave us the little bullet points. And I was supposed to start in rehab, like for mental health. And we always knew Mitch was going to die. He went to do coverage on a war. He blew up in a building or whatever. It was just like, âThis is so violent.â But then this played out beautifully with him being sent to exile in Italy to live in his shame. Have you always wanted to be an actor?
STAN: I guess I was like really good at impressions or something. My mom used to bring me out when we had people over.
ANISTON: And your first big break was âGossip Girlâ?
STAN: âLaw & Order.â Jerry Orbach.
ANISTON: I went to high school with his son. Are you a good auditioner?
STAN: I donât know. I didnât mind it so much.
ANISTON: Thatâs good. I was terrified of it. I would walk into that room just shaking. Itâs a shock I ever got hired. Letâs be clear. My first job was a Bobâs Big Boy commercial.
STAN: Really?
ANISTON: I couldnât get hired for like two years because I was just my own worst enemy walking into a room. You would have been a great cast member on âFriends.â You would have been a Joey.
STAN: There are so many times where Iâve gone through a lot of lonely nights with âFriends,â I will tell you.
ANISTON: Itâs a friend to have in the room sometimes.
STAN: And my friends would always go around and be like, âWho are you most like?â I always came closest to Chandler, because I get very sort of neurotic. And I just used to die laughing. Coming back to Rachel for the âFriendsâ reunion, I canât even imagine how surreal that experience must have been. How did it feel, seeing everybody? Is it cathartic? Or is it weirdly the same goose bumps come back? Itâs so familiar.
ANISTON: It was all of the above, honestly. I donât know we expected for it to sucker punch us as hard as it did in the emotional gut. We just had the idea this is going to be so fun â weâre going back to the sets exactly the way they were. And literally, every single nook on a shelf was the same. It was so creepy. But each and every one of us, we walked in, it was just like, âOh!â.
STAN: Yeah.
ANISTON: Time travel. It was â04 when it ended. And we were different. We were so little. Our lives were ahead of us. And so much has changed. We kind of had rose-colored glasses going into it. And then, it was like, âThis is really a lot heavier than I thought.â But I wouldnât change a lick of it. Every time we all get together, itâs just like no time has passed. We basically grew up together, and taught each other a lot. Weâre each otherâs fall guy because the world was happening. We were exploding, and that kind of notoriety was sudden. And we were in these four walls doing the show, and this insanity is happening. And thank God we had each other, because we really couldnât talk about it outside. It was before social media, so we still had some sanity.
STAN: Iâm thinking if you had social media when âFriendsâ was happening, itâs almost like Iâm sure the network would have said, âHey, can we get a TikTok video of you guys?â And so much of that was preserved for the screen. And thatâs why I sometimes wonder: Are we without some of that mystery?
ANISTON: I get very nostalgic about the past. I also find it interesting that people still love it today, because what are they relating to? You look over at a table of four people having a meal. And thereâs usually three people on a phone, just scrolling mindlessly.
STAN: And you guys are on the couch and reading the paper and talking over coffee.
ANISTON: I have a really weird question. This has nothing to do with anything. You know how thereâs this new thing where everyone says, âItâs tech neck,â because youâre looking down on your phone? Didnât people do the same thing when they read the newspaper and books? So why is tech neck a new thing?
STAN: I â
ANISTON: I donât know. Just thought Iâd throw it out there. By the way, working on green screen, how do you feel about the Marvel movies? I mean, thatâs got to be tedious, right?
STAN: I feel like itâs more opportunities to get distracted. Youâre looking over there and itâs a planet, and thereâs a cliff and all these people are coming â and youâre just staring at a wall. Itâs bizarre. Iâd love to be able to have things to interact off.
ANISTON: An actor, an actual person.
STAN: And not a tennis ball. But then, it also just makes you use your imagination in a different way. I never discriminate between any type of genre.
ANISTON: Do you have a favorite?
STAN: If I could just live in âNotting Hillâ the movie forever, I would.
ANISTON: Is that a romcom? Why do they have such a bad rap these days, because wouldnât that be fun to do one?
STAN: It would be.
ANISTON: Wanna do it?
STAN: Do you wanna?
ANISTON: I do.
STAN: Do one in a second with you.
ANISTON: Shooting in New York City?
STAN: Yeah, yeah. That sounds great. They could probably write that very quickly.
ANISTON: Great. Weâre gonna do a rom-com. So exciting. Weâre bringing them back
Jennifer appeared on Ellen’s finale show, I’ve added stills and caps from her episode, enjoy!
Jennifer Aniston was the very first guest on Ellen’s first show, and it came full circle as she returned as the first guest on Ellen’s last show. She shared how she dealt with the end of “Friends'” 10-season run by getting a divorce and going to therapy. The Emmy-winning actress also reminisced about her past appearances and gave Ellen a parting gift.


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